DAN BEUDEAN (né en 1980)
GG ALLIN’S TOMB 01, 2013
et GG ALLIN’S TOMB 02, 2013
Pencil on paper
11 3/8 x 16 1/8 in. each

DAN BEUDEAN (né en 1980)
GG ALLIN’S TOMB 01, 2013
et GG ALLIN’S TOMB 02, 2013
Crayon sur papier
29 x 41 cm chaque feuille


  • Depuis cinq ans, Dan Beudean, exprime un intérêt constant pour les transitions, les mutations, les comportements anormaux, les aberrations et déviances physiologiques, les exceptions socioculturelles qui deviennent des transgressions tolérées ; depuis l’année dernière, l’artiste a porté son attention et son travail sur l’étude des comportements qui entourent la mort et les rituels qui y sont liés. Ainsi, dans ces deux œuvres, Dan Beudean, travaille sur deux extrêmes afin de souligner le contraste entre la vie de GG Allin (un chanteur de punk underground et controversé appelé Jésus) et la quiétude du lieu de son dernier repos.
    During the past half-decade, Dan Beudean has shown a constant interest in interregnum behavior mutations and abnormalities, physiological deviations and aberrances, social and cultural exceptions that turn into commonly accepted transgressions; starting with last year, the artist upgraded his study and scaled his attention, in order to comprehend and survey human kind’s ambiguous rituals of death and purification. Thus, in the two GG Allin’s Tomb artworks, Dan Beudean is working with two juxtaposed extremes, underlining the contrast between GG Allin’s life (an underground and controversial punk singer named Jesus) and his eternal resting place, a place of peaceful and quiet repose.
    Adina Zorzini

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October 29, 2013 7:00 PM CET
Paris, France


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