AGATHON LÉONARD (1841-1923) & SÈVRES (Manufacture Nationale de) "Danseuse à l’écharpe, pied gauche levé" Sculpture en biscuit, à patine dorée, 2e grandeur, représentant une femme drapée dansant, ses bras levés maintiennent une écharpe plissée, les nombreux plis du vêtement et des manches accentuent le mouvement. Signature de cachets en creux "Sèvres", "S.1912", et "N°41". Haut. 31cm - Larg. 23cm - Prof. 13cm A gold paint biscuit sculpture representing a female dancer with a scarf. Stamped with the manufacture’s marks. Height. 12 1/4 in.- Width. 9 in.- Depth. 5 1/8 in.


    Notes:
  • Bibliographie: - Victor Arwas, "Art Nouveau, French Aesthetic", Andreas Papadakis Publisher, Londres 2002, modèle reproduit p.136 - Ingelore Böstge, Emmanuelle Héron, "Agathon Léonard, le geste Art Nouveau", Somogy Editions d’art, Paris, 2003, modèle reproduit p.57. Historique: La danseuse à l’écharpe fait partie d’une exceptionnelle série de quinze sculptures, appelée "Le Jeu de l’écharpe", réunissant de jeunes danseuses présentant chacune un accessoire et une posture différents. Elles sont ainsi éditées en biscuit par la Manufacture Nationale de Sèvres et en bronze par la fonderie Susse. Elles sont alors proposées en deux tailles en biscuit et en deux ou trois tailles en bronze. Historic: The dancer with the scarf belongs to an extraordinary collection of fifteen sculptures called "the game of the scarf", which represents young dancers each one with a different accessory and posture. The sculptures were edited in biscuit by the National Manufacture of Sèvres and in bronze by the Susse foundry, the biscuit ones proposed in two different sizes and the bronze ones in three sizes.

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