ATELIER ou ATTRIBUÉ À PIERRE REYMOND (vers 1513-1584) Flagellation du Christ Cette grande plaque en émail polychrome transparent et opaque avec des rehauts de dorure montre le Christ au centre flagellé par deux hommes sur la gauche alors que cinq autres sur la droite regardent la scène. Milieu du XVIe siècle. (Petites restaurations aux angles, quelques petits accidents en bordure). Haut. 20 cm - Larg. 16 cm

    Notes:
  • Pierre Reymond, émailleur limousin, a signé des œuvres datées de 1537 à 1578 tout en exerçant des fonctions officielles entre 1546 et 1568. Il est connut pour ses services en émail peint, véritable vaisselle d'apparat, qui rivalisait alors avec la majolique italienne et l'orfèvrerie contemporaine. Les œuvres de Pierre Reymond sont conservées dans les plus grands musée (Musée du Louvre, Victoria and Albert Museum, Musée de l'Ermitage, Metropolitan Museum…) mais également dans les plus grandes collections privées (vente de la collection Yves Saint Laurent en 2009, John Paul Getty, Henry Frick…). Bibliographie : S. Baratte, Les émaux peints de Limoges, Édition de la Réunion des Musées Nationaux, Paris 2000. Une plaque très proche de la notre représentant une Flagellation du Christ attribuée à Pierre Reymond est conservée au Musée Blandin à Nevers.

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