Lot 217

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PAUL EVANS (1931-1987)
A wall-mounted sculpted bronze disc bar, 1971. The base is signed and dated "PE 73" and the doors are signed and dated "PE 71".
Prices available on request



ƒPAUL EVANS (1931-1987) Bar mural circulaire en bois façonné de résine époxy enduite de bronze patiné, il ouvre par deux vantaux hémisphériques, commande spéciale. Il ouvre sur des étagères, un casier, un abattant et un tiroir. Signé et daté "PE 73" sur la base et "PE 71" sur les portes. Cabinet: Haut. 122cm - Larg. 122cm - Prof. 40,6cm - Portes: Diam. 182,8cm - Diam. ouvert 182,8cm

    Notes:
  • Collection particulière, modèle réalisé sur commande Private collection, a custom commission Historique: Le Bronze Sculpté ou "Métal Sculptural" Collection a été présenté officiellement par Directional dans un catalogue de 1969 où figurait un Disc Bar mural sur sa couverture. C'était un modèle important pour Evans et c'est devenu une révélation. Le Disc Bar a été créé initialement par Evans comme une sculpture, son aspect fonctionnel passant au second plan de cette création. D'ailleurs, l'oeuvre que nous présentons a été commandée en deux versions. Le client en a d'abord commandé en 1971 la sculpture pour le mur de son salon, puis a commandé en 1973 cette oeuvre pour sa salle à manger afin de l'utiliser comme un bar. Historic: The Sculpted Bronze or "Sculptural Metal" Collection was introduced officially by Directional in a 1969 catalogue that featured a wall-mounted disc bar on its cover. This was a seminal piece for Evans as it became an overnight sensation. The Disc Bar was created to showcase Evans' Disc Sculpture but opened with two doors to reveal a functional bar. The doors were ordered often as wall-mounted art. This model was ordered in two parts. The client first ordered the doors in 1971 for their livingroom wall and in 1973 ordered the case to remount in their dining room to be used as a server or bar. Bibliographie: - Jeffrey Head, “Paul Evans: Designer & Sculptor”, Schiffer Publishing, 2012, modèle similaire reproduit pp. 86-87 - Todd Merrill and Julie Iovine, “Modern Americana: Studio Furniture, from High Craft to High Glam", New York, Rizzoli, 2008, modèle similaire reproduit p.104 - Constance Kimmerle, “Paul Evans Crossing Boundaries and Crafting Modernism”, James A. Michener Art Museum and Arnoldshe Art Publishers, 2014, modèle similaire reproduit pp.182-183.

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November 24, 2014 2:30 PM CET
Paris, France

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