Lot 98
GILBERT STUART (Saunderstown, 1755-Boston, 1828)
PORTRAIT D'ANNE WILLING BINGHAM (1764-1801) ET DE SA FILLE MARIA MATILDA (1783-1849)
Toile
Cadre français du XIXe siècle en bois doré
Porte une étiquette au revers du cadre précisant la provenance "Portrait de ma grand-tante / Mrs William Bingham (née Anne / Willing) peint par G. Stuart et / donné par elle à sa sœur ma grand / mère Mrs Henry Clymer (née Mary Willing) / qui l'a laissé à mon père William / Bingham Clymer son fils ainé. / Clymer ? Jacques de Bryas"
Portrait of Anne Willing Bingham (1764-1801) and her daughter Maria Matilda (1783-1849), canvas, 19th century French giltwood frame
85 x 92 CM - 33,5 x 36,2 IN.
-
Notes:
Provenance
Peint en 1784 pour William Bingham et son épouse Anne Willing ;
Collection Mary Willing Clymer et Henry Clymer (sœur et beau-frère d'Anne Willing Bingham) ;
Par descendance Mis et Mise de Bryas, à la fin du XIXe siècle.
Puis par descendance, jusqu’au propriétaire actuel.
Bibliographie
G. C. Mason, The Life and Works of Gilbert Stuart, New York, 1879, pp. 137-139 ;
L. Park, Gilbert Stuart : An Illustrated Descriptive List of His Works, with an Account of His Life bu John Hill Morgan and an Appreciation by Royal Cortissoz, New York, 1926, pp. 151, 152, 154, 155, n° 80, 81, 84 (daté le tableau de 1784 probablement grâce à l'âge de la plus jeune fille née un an auparavant à Londres) ;
M. L. Brown, Mr. and Mrs. William Bingham of Philadelphia, dans The Pennsylvania Magazine of History and Biography, juillet 1937, cité p. 289, reproduit (daté 1784) ;
R. C. Alberts, The Golden Voyage. The Life and Times of William Bingham 1752-1804, Boston, 1969, cité pp. 149,150, reproduit ;
Catalogue de l'Exposition Gilbert Stuart, New York, Metropolitan Museum of Art, 21 octobre 2004-16 janvier 2005, Washington, National Portrait Gallery, Smithsonian Institution, 27 mars - 31 juillet 2005, cité p. 198, p. 203 sous le n° 53 et note 5 ("Anne and William Bingham commissioned a family portait ; the picture was left unfinished…" ; "In London in 1784 or 1785 Stuart began a group portrait of Bingham and his wife, Anne, with theirs daughters Ann Louisa and Maria Matilda, leaving it unfinished, possibly because of a disagreement with Mrs. Bingham about the composition")
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