MAHIEDDINE BAYA DITE BAYA (1931-1998) JEUNE FEMME AUX PAONS YOUNG GIRL WITH PEACOCKS Gouache sur papier, signé et daté (19) 76 en bas à droite. À VUE: 77 x 86cm (30 5/16 x 3 7/8 IN.)


    Notes:
  • Provenance: Collection particulière, France. "Baya dont la mission est de recharger de sens ces beaux mots nostalgiques: l’Arabie heureuse’. Baya, qui tient et ranime le rameau d’or". André Breton, "Baya, Derrière le Miroir", Galerie Maeght, Paris, novembre1947. Cette orpheline travailla comme aide ménagère dès son plus jeune âge à Alger. Elle y découvrit une demeure pleine de fleurs et d’oiseaux, et commença à peindre des gouaches. En 1943, Aimé Maeght de passage à Alger vit ses œuvres. Il lui organisa une exposition à Paris en 1947, et André Breton préfaça le catalogue. elle découvrit Paris et rencontra Braque et Picasso. Elle est considérée comme l’une des fondatrices de l’art algérien moderne. Baya aima les couleurs, les roses vifs, les bleus éclatants qu’elle ourla d’un puissant trait noir. Peintre de femmes, elle les enferme en noir, mais les libère par la couleur. This orphan worked very young as a housekeeper in Algiers in a house full of flowers and birds. This is where she began to paint watercolors. In 1943, Aimé Maeght came to Algiers and saw her works. He organized an exhibition in Paris in 1947, and André Breton prefaced the catalogue. She discovered Paris and met Braque and Picasso. She is considered as one of the founders of modern Algerian art. Baya loved colors, bright pink, bright blue surrounded by a strong black line. Painter of women, she locks them in black, but frees them by color.

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