MOHAMED BEN ALI R’BATI (1861-1939) AUDIENCE CHEZ LE CAÏD HEARING AT THE CAÏD’S Aquarelle sur papier, signé en bas à droite en arabe. 47,5 x 63,5cm (18 11/16 x 25 IN.)


    Notes:
  • Provenance: Collection particulière, Belgique. Rien ne destinait R’bati à la peinture. Très jeune, il quitta Rabat sa ville natale et s’installa à Tanger. Il fit des études à l’école coranique avant d’entrer au service du peintre John Lavery en tant que cuisinier en 1903. Lavery était installé à Tanger et très vite il perçut le talent de son jeune serviteur. Cette rencontre fut décisive pour la carrière de R’bati que Lavery encouragea. Lavery l’emmena à Londres où R’bati exposera en 1916. À partir de ce moment, il se consacrera définitivement à son art. La peinture de R’bati, naïve et colorée s’inspire de la vie marocaine dans les cours de mosquée, lors des réceptions chez le pacha ou dans les harems. Il aime les couleurs pastel, roses et bleus sont souvent présents dans ses œuvres. R’bati se plaît à décrire les réunions et ses aquarelles sont animées de nombreux personnages, vêtus à la marocaine. Notre tableau est typique de l’œuvre de ce peintre qui rompit avec la tradition millénaire de la miniature et de la calligraphie. Nothing had intended R’bati to become a painter. Very young, he left his hometown, Rabat, and settled in Tangiers. He studied at the Koranic school before joining the painter John Lavery as a cook in 1903. Lavery had settled in Tangiers and soon noticed the talent of his young servant. Meeting Lavery has been the starting point for R’bati. Lavery supported him. Lavery took him to London where R’bati exhibited his works in 1916. From that time on, he devoted himself to his art. R’bati’s naive and colorful works are inspired by Moroccan life depicting people in a mosque, at a Pasha’s hearing or in a harem. R’bati painted in light colors, like blue and pink which can be found in many of his works. R’bati liked to paint large groups and his watercolors are full of many characters dressed in Moroccan style. Our painting is typical of the work of this painter who broke with the Oriental tradition of miniature and calligraphy. Bibliographie: Un peintre à Tanger en 1900, Mohammed Ben Ali R’bati, Édition MALIKA, 2000.

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